Out the Window Day 73
Lone Tree Day 74
Summer Views Day 75
Macro Veins Day 76
Sunshine Day 77
Jessie Girl Day 78
Floral Wallpaper Day 79
Early Blossoms Day 80
Crossing Intersection Day 81
Ahead of Time Day 82
Cropped Color Day 83
Couple In Love Day 84
Mid-Day Sun Day 85
Harris Ranch Dusk Day 86
Palm Lane Day 87
E-Ticket Ride Day 88
Harbor Pano Day 90
Top Shelf Day 92
Childhood Memories Day 93
Spot of Sun Day 94
Fisheye Fun Day 95
Spirit Tree Day 96
Burst of Color Day 97
Breezy Blur Day 98
Monkey See Monkey Do Day 99
Lady Bathing Day 100
The best part of our 100 Days of Summer with my Lensbaby…the talented women who let me join them and of course–enjoying the world with my Lensbaby lenses and optics!
To celebrate our completion, we will have a Lensbaby Circle from one blog post to another. When we “go live” I will happily share the first person, so you can really see our summer across the globe with Lensbaby. Thank you to Ana Marie Rosenberg for her coordination of our project! See her amazing talent here: http://anarosenberg.net/…/100-day-of-summer-with-lensbaby
Week 6–Northern California has enjoyed a “cool down” from over 100 degrees to 80’s and 90’s. A welcome change!
Summer Fun Day 36
Day 37 Two versions
Using Lightroom CC 2015
New Slider in “Effects” bottom slider “Dehaze” Modified Daisy Pops with +65
Flower Family Reunion Day 38
Luscious Green Bokeh Day 39
Repeating Bokeh Day 40
Under Day 41
Classic Words Day 42
Wow! This time of summer is just moving at an alarming rate. Does remind me of how quickly summer vacation passed as a child. Here are the images I shared during Week 5 of the…
100 Days of Summer with my Lensbaby
Hi Riley! Day 29
Bokeh in Back Day 30
Opposites Attract Day 31
Drought Humor Day 32
Sunshine Globe Day 33
Long May She Wave Day 34
Light blue, white, and pink! Day 35
May your summer days be filled with joy and creating memories!
While waiting for the Amgen race to “whoosh” though Olema, CA was distracted by a little flutter and thought I’d share what I saw with you!
These images were taken with my Nikon D600 and severely cropped in Lightroom 4.
Just perched there for a minute or so…
Nice to see the delivery.
Not as crisp as I would have liked, but going for the complete story!
Just to show how much I cropped, which explains the noise–here is the original size…
This eve is above the same apartment room we stayed in, which was literally, “above” the town deli!
The Deli even opened early for folks to get coffee!
This “room” is part of the Pt. Reyes Seashore Lodge which was built in 1988–this building is MUCH older! The grounds were full of such beauty–another blog to come!
We have many local and smaller museums in the Sacramento area. After living here for almost 20 years, finally visited the Crocker Museum and fell in love with the art world. The museum has recently been expanded and a new wing added. Previously, I had little exposure to enjoy other art mediums besides photography. Just thought I knew where my interests and focus really were.
The new exhibit featuring landscape paintings by Kondos is entitled, “A Touch of Blue”. It opened on Sunday with a preview on Saturday for members. What a grand experience it was becoming acquainted with Gregory Kondos and his landscape work of our local areas. This is the first chance and exposure for me to see and really appreciate paintings of the Sacramento River, vineyards from Napa, and his Yosemite work. Looking at his paintings and knowing specific places where he stood to create his scenery was awe inspiring and empowering. Equally impressive was seeing the presentation of his work and the massive changes the gallery made to set up such a complimentary space to feature his paintings.
A benefit was the chance to not only view his work, but one could purchase his book and meet him face to face for his signature. What a kind soul…imagine it was a long day for him, meeting and greeting folks that appreciate his talents.
It was an honor and pleasure to connect with him for a few moments. Mr. Kondos was so polite and patient! I was taking photos of him and the signing process, as we waited in line for our turn. Another exclusive option were two screenings of a movie with the history of his journey as an artist. Loved it! So glad we were able to view this and I can’t wait to dive into his book and be immersed in the stories and tales that accompany his works of art!
A few images of Kondos signing and signing and signing. Felt honored to be in his presence and he was so generous with his time! Many admirers were snapping away with their phones. I brought out my Nikon and raised the ISO to accommodate the lack of flash. In the first image below, he caught my eye as he saw the camera, we were still in line with about 10 people in front of us–very kind to maintain his eye contact and to me it shows how “real” he is and can certainly connect with people.
Yes, I did cut off part of his arms in order to not have other patrons appear in the image!
I asked for permission to take his photo when we finally arrived in front of him. Already determined the ISO I needed and snapped off two shots and thanked him. Surprising me–he asked if I got it–what patience and thoughtfulness he shared! I said that I had.
Another reason why it was a bit challenging to get his portrait was the glare from the windows! However, the black background was perfect.
I just love the contours of his hat and it sure suits him well. With the focus of his exhibit on blue–the striped blue shirt seemed perfect for him.
He was gregarious and focused when signing every book. The couple in front of us purchased four–gifts for their children, they shared. He chatted with them for a bit as he signed the many books.
When he was signing our book–I was thrilled to capture his hand with my lens. I shot quite a few images of his hands–interesting to note–he was signing books with his right hand and yet, in the movie he was shown sketching a river scene in charcoal and used his left hand for that! I have just started to read the book and wonder if his ability to use both hands will be mentioned.
The author of the book, Scott A. Shields is also a man with connections to the Sacramento art world. Another exhibit featuring the paintings of Kondos will open in April at the Sacramento City College Gallery. This will also coincide with his birthday, he will be turning a young 90 years old in April. Kondos attended the junior college as a student as well as Sacramento State University. He returned to the junior college as a faculty member sharing his knowledge and passion with the next generation for decades. Clips in the movie also showed him working with artists in the field–what a memorable experience that would be!
I will certainly revisit his exhibit soon, after I have spent some time enjoying the book and gaining more knowledge of his life story as an artist.
Understandably, photographic images are not allowed on the second and third floors of Crocker in honor of protecting the artists and their work. I still had my camera ready for any non-art photo options and connected with the window view looking out into the courtyard separating the two portions of the museum. The first image struck me with the symmetry and shapes within the view.
Here are a few of my favorite window views….
On the first level, I was really fascinated by the floor to high ceiling walls of windows looking into the courtyard. The line to obtain his signature was long and not moving rapidly, so I had plenty of time to look from where we were patiently waiting to meet Kondos. So, had some fun with my Nikon and a few presets in Lightroom to share my viewless window images. I appreciate the ability to make images of the same subject from various angles and process with different results.
For the next image, I tried different lens corrections and liked the curve gained when I shifted the horizontal perspective.
Equally fun was the elongated image I acquired with the vertical lens correction. The sepia tone gave me a greater shadow at the bottom, which I chose to keep.
A few more window shots–some with a view of the courtyard!
There is such a lack of color with these shots that even the first image in “color” appears to be black and white.
Amazing what a few preset changes and slider movements can really change in an image.
Be sure to check your local museums and look into becoming either individual members or a family membership.
We will be back soon!
According to the groundhog, “Punxsutawney Phil” we are due for an early spring…however, many states have endured horrific winter weather over the past week. In the Sacramento, California area our snow level dropped to 900 feet which is insane for us! Of course, the next day no clouds were in the sky and nothing but beautiful blue overhead. What these images can not share is the temperature–our morning lows have been 30 degrees or so with our day high nearing 60.
I decided to take my Lensbaby Spark out for a jaunt in the backyard to celebrate our chilly, but dry weather. The Spark lens is the lightest Lensbaby in my collection and easy to manage on my D600. The challenge and fun aspect of this lens (in my humble opinion) is that you do not secure your composition–hands need to maintain constant pressure on the Spark to keep the effect you desire.
My favorite aspect of using a Lensbaby is the fact you can achieve so many different results with the same tool. Creativity is unlimited. The next two images are of the same Oak Tree which towers over the backyard and yet appear so different, because of the lens flexibility.
Love the look of swirls–especially with fall color but still creates a fun abstract result with bare branches.
Some flowering varieties, one in various shades of green and the other with a splash of color.
The light in this shot allowed the creative aperture of the “sun” to show through a bit.
Anyone else ready for spring???
Wow! It has been SO long since I have done a blog that WordPress has quite a few changes. Mostly, I have just been sharing my limited images via Facebook–but decided to keep a theme and share my recent new shooting technique. (New to me, not anything I invented!)
Have you ever had an image where you moved when your shutter was still open and it blurred your photo? Maybe–strong winds with your camera on a tri-pod without using a cord? I certainly have had my fair share of blurry photos due to unintentionally moving something I should not have while I was shooting.
Recently, I was reading an e-book, “SLOW The Magic of Long-Exposure Photography” by Andrew S. Gibson. I learned that there is a technique to intentionally create movement in camera and it is called–wait for it…Intentional Camera Movement (ICM). I had seen the results of images posted by others, especially with fall shots and didn’t know how to achieve it, but now I do! As Mr. Gibson suggests–you can look it up on Flickr and see some talented shots.
The technique is basically panning your camera as you shoot in Shutter priority with a long enough exposure–half a second or longer to create the movement, with abstract results. I found the coastal region of Northern California to be an ideal spot for this venture.
The advantage of this shoot being at sunset was that I could get quite a few different color options as the sunset faded and the light show began. The above images were processed using Lightroom 4.3 and started as RAW files, so I would have more choices refining what I captured and wanted to share.
En route to the sunset location there was a grove of trees in their winter glory–no leaves and darker bark with sunlight hitting them just as I wished. so, here is actually my first attempt at ICM.
Got a good chuckle, and decided I was pleased with my result. Clearly, there is indeed movement during this shot! Soon, I discovered it was much easier to pan horizontally than vertically! Hold camera and tuck in elbows to your body for a cleaner pan.
There was a field with such luscious green grass a herd of White-Tail Deers were munching away in the distance. The road was a good 50 yards or more from where they were located, and we were separated by a barbed wire enclosure. Here are a few shots of the pasture. The first two shots are from the same file–only difference is with the “Clarity Slider” in Lightroom. Same exact image with clarity at -100 for the second view–no other differences, but certainly changed the result!
All clarity removed…
One last view of the deer in the distance with a nice tree to provide a change in scenery!
Continuing with the theme of movement…here are two images that were not ICM, but I kept them due to their abstract result. If you know me, I am a great fan of Lensbaby Optics and love the abstract results you can create with them, so no wonder why I couldn’t part with these shots. To clarify–neither is a Lensbaby image!
What came to my mind as I first saw this image was that it reminded me of pictures that children draw with a sun in the sky with rays coming off of the center. OK–I still draw mine that way, am certainly NOT an artist in that respect!
This was taken at dusk…my intended shot was to get the hawks that were swooping down and making a meal of the bats that were coming out from under the specially designed bridge (designed for the bats, the previous one was lost in a flood). I used a WAY too long of an exposure to hand hold and the speed at which the bats were exiting and hawks swooping and snacking were much faster than the settings on my camera were!
Look forward to working on my panning and ICM skills and writing more blogs to share with you!
Thanks much, for viewing–it is greatly appreciated:D